During their residency they researched documents, texts and publications in the library, archives and storage, looked at exhibition history at CCA and the Theater Institute. To make sense of all of this they embarked on a dialogue with many individuals who have participated in creating the institution, its history and its larger context. These recorded dialogues form the basis for a script that combines the many threads of this input.

The artifacts, artworks, films, documents, snippets, and leftovers are connected through a dynamic performative script, built of the complex history of the institution. As facts recalled by the witnesses have been dependent on their subjective memory of the events, so is the script apt to modifications; according to what is remembered by the spectators. The performances reflect this dynamics; they are continuously modified by performers in interaction with the public, while fragments of the script create a narrative trajectory though a thread of labels throughout the show.

Also the Soundscape by Wojtek Blecharz, is based on the script. The soundpiece is activated through thirty speakers, started and carried around by the public.