Turning a Blind Eye
Turning a Blind Eye is a public program of workshops, lectures and walks, conceived, organised and compiled by Bik Van der Pol during the 31st Sao Paulo Bienal, accompanied by a live, large scoreboard animated by activators that functions as a marker following the developments at the biennale and invites the public to become participants.
The program explores different notions of the `unseen´ - as often categorised or dismissed as non-visible or non-existent- by the ways we look at things or -rather- choose what we look at, and proposes other sensibilities to think about the world. Departing from recent events in Brazil and worldwide, the program seeks to investigate the notion of ‘publicness’ and the tensions that arise from increasing exploitation of urban and natural space. The Bienal serves as the venue for creation and research, implementing the educational model of the “school” as a form of mental theater capable of creating new horizons for action, production and reflection.
Bik Van der Pol understand artistic practice as strategy for emancipation and a potential response to public issues. The recent occupations of public squares worldwide, the increasing exploitation of private information, and the large migration movements demonstrate space as urgency, as a site of conflict over rights, information, relations and objects.
The program explores different notions of the `unseen´ - as often categorised or dismissed as non-visible or non-existent- by the ways we look at things or -rather- choose what we look at, and proposes other sensibilities to think about the world. Departing from recent events in Brazil and worldwide, the program seeks to investigate the notion of ‘publicness’ and the tensions that arise from increasing exploitation of urban and natural space. The Bienal serves as the venue for creation and research, implementing the educational model of the “school” as a form of mental theater capable of creating new horizons for action, production and reflection.
Bik Van der Pol understand artistic practice as strategy for emancipation and a potential response to public issues. The recent occupations of public squares worldwide, the increasing exploitation of private information, and the large migration movements demonstrate space as urgency, as a site of conflict over rights, information, relations and objects.
Turning a Blind Eye
Debates and conflicts over forms of common property show that public space is to be understood in the broadest terms possible – as what holds the fabric of experience-as-community together, and what causes its fragmentation and destruction, as it is threatened by exclusions, privileged access and disinformation to the point that it becomes invisible. "Publicness" needs to be re-articulated time and again, and is just as precarious as the natural environment, threatened by a predatory economy.
Turning a Blind Eye emphasizes on the temporary visibility as the 'visible bundling' of learning practices as the production of future capital, united in a temporary structure that not only accommodates these dynamics but also renders them as language to be made visible and voices to be made heard. A space where learning, looseness, and focused experiences are anticipated in continuous changing dynamics. The program aims to create an engaged public by involving the participation of those involved in the Bienal, the general public, students of the School of Missing Studies and universities and organisations in Sao Paulo. Together with the public educators changed the short statements on the live scoreboard on a daily basis. Increasingly these statements became more political, more critical, and more poetic. See Program Turning a Blind Eye at 31st Bienal of Sao Paulo.
Turning a Blind Eye emphasizes on the temporary visibility as the 'visible bundling' of learning practices as the production of future capital, united in a temporary structure that not only accommodates these dynamics but also renders them as language to be made visible and voices to be made heard. A space where learning, looseness, and focused experiences are anticipated in continuous changing dynamics. The program aims to create an engaged public by involving the participation of those involved in the Bienal, the general public, students of the School of Missing Studies and universities and organisations in Sao Paulo. Together with the public educators changed the short statements on the live scoreboard on a daily basis. Increasingly these statements became more political, more critical, and more poetic. See Program Turning a Blind Eye at 31st Bienal of Sao Paulo.
tools
Parade or Dazibao? Sleep With Me Little Liars Now What? Letters to the Land The City & The City Take Part Turning a Blind Eye The School of Missing Studies in the course of events (May 18) Married By Powers (Seoul) Lobby / Office Piece Absolut Stockholm Birds Must Be Eliminated The Bookshop Piece Czigane – Not the whole story How does a straight line feel? These socks not white (Deze sokken niet wit) Accumulate, collect, show Too late, too little, (and how) to fail gracefully Clearing Procedure point d'ironie are you really sure that a floor can't also be a ceiling? Learning From Vancouver It isn't what it used to be and will never be again Unititled (Gold) 1440 minutes towards the development of a site I've Got Something in My Eye The Smell of Success What colour would a chameleon take when placed on a mirror? Close Encounters A garden for Lindestede Art is either plagiarism or revolution, or: something is definitely going to happen here Istanbul, 59 Locations: A Format For Nightcomers The Disappearance Piece Loompanics Teach Me Something Trinity (April 2, 2005) Biosphere2 Teasing Minds Life, once more, continues to be free and easy 52% happy KA Nomads in Residence / No. 19 Untitled (after Miklos Erdely) Married by Powers (with Frac Nord-Pas de Calais) City Oasis Love and Happiness Good Nomads & Residents Capsule Hotels for Information, Dreams, Brilliant Thoughts and ... N.T. You are here, art is not The Kitchen Piece At the end of this long journey Mama, was ist eigentlich Natur? - Mom, what is nature really? Model City Facts on the ground
dialogue
One to One Parade or Dazibao? Letters to the Land What is this world? Czigane – Not the whole story Mama, was ist eigentlich Natur? - Mom, what is nature really? How does a straight line feel? (GwangJu) Turning a Blind Eye The School of Missing Studies To Gather on a Mountain School of Walking: Casablanca At the end of this long journey What if the moon were just a jump away? Married by Powers (with Frac Nord-Pas de Calais) Insert Absolut Stockholm The Kitchen Piece The Bookshop Piece The Shower Piece Rest N.T. You are here, art is not The poem that jumps the fence Anatomy of a scene Married By Powers (Seoul) The Disappearance Piece Laughing Gas Teasing Minds Catching Some Air Nomads & Residents
public domain
Facts on the ground Take Part Letters to the Land The City & The City Turning a Blind Eye Etwas Rotes Teach Me Something School of Walking: Casablanca Eminent Domain Stick It On! The poem that jumps the fence School of Walking: Vienna Beautiful, beautiful, beautiful, he said Parade or Dazibao? Jogo kali Up Close The School of Missing Studies What if the moon were just a jump away? Not all those who wander are lost Hurry Up Please, It's Time Between a rock and a hard place These socks not white (Deze sokken niet wit) Elements of composition [As above, so below] Accumulate, collect, show Too late, too little, (and how) to fail gracefully Speculation Unititled (Gold) Public Sculpture [sous les pavés, la plage] Public Arena 1440 minutes towards the development of a site The Smell of Success What colour would a chameleon take when placed on a mirror? Billboard Close Encounters A garden for Lindestede Art is either plagiarism or revolution, or: something is definitely going to happen here Istanbul, 59 Locations: A Format For Nightcomers Ideas Sunset Cinema The Disappearance Piece Laughing Gas Little Liars Fly Me To The Moon Loompanics Ford Boxes Trinity (April 2, 2005) Biosphere2 Past Imperfect Skinner*s Box Teasing Minds Life, once more, continues to be free and easy 52% happy KA Nomads in Residence / No. 19 Untitled (after Miklos Erdely) City Oasis Model City Love and Happiness Absolut Stockholm Good Nomads & Residents Proposition for Reclaiming a Space point d'ironie Learning From Vancouver Mosaic Kiev, 18-3-2006
archive
Nomads & Residents Married By Powers (Seoul) Sleep With Me What is this world? Now What? Far too many stories to fit into so small a box Czigane – Not the whole story Mama, was ist eigentlich Natur? - Mom, what is nature really? Turning a Blind Eye Up Close in the course of events (May 18) Beautiful, beautiful, beautiful, he said At the end of this long journey We swear we saw this WERE IT AS IF Eminent Domain Married by Powers (with Frac Nord-Pas de Calais) City Oasis Model City Insert Birds Must Be Eliminated Catching Some Air Proposition for Reclaiming a Space A half mile of string One to One I've Got Something in My Eye Fly Me To The Moon Loompanics Trinity (April 2, 2005) Past Imperfect Untitled (after Miklos Erdely) Love and Happiness These socks not white (Deze sokken niet wit) Mosaic
site specificity
The poem that jumps the fence Letters to the Land Facts on the ground Little Liars Letters to the Land Turning a Blind Eye To Gather on a Mountain School of Walking: Casablanca School of Walking: Vienna Beautiful, beautiful, beautiful, he said Jogo kali Speechless Not all those who wander are lost Good Proposition for Reclaiming a Space point d'ironie A half mile of string Take Part One to One Anatomy of a scene How does a straight line feel? (GwangJu) WERE IT AS IF Etwas Rotes Up Close Stick It On! Hurry Up Please, It's Time Between a rock and a hard place Elements of composition [As above, so below] Accumulate, collect, show Too late, too little, (and how) to fail gracefully Clearing Procedure are you really sure that a floor can't also be a ceiling? Speculation Learning From Vancouver It isn't what it used to be and will never be again Public Sculpture [sous les pavés, la plage] Public Arena 1440 minutes towards the development of a site I've Got Something in My Eye The Smell of Success What colour would a chameleon take when placed on a mirror? Billboard Close Encounters A garden for Lindestede Art is either plagiarism or revolution, or: something is definitely going to happen here Istanbul, 59 Locations: A Format For Nightcomers Ideas Sunset Cinema Laughing Gas Teach Me Something Ford Boxes Trinity (April 2, 2005) Skinner*s Box Life, once more, continues to be free and easy Nomads in Residence / No. 19 Untitled (after Miklos Erdely) City Oasis Lobby / Office Piece Insert Love and Happiness Absolut Stockholm Nomads & Residents Kiev, 18-3-2006
installation
Letters to the Land Turning a Blind Eye Fly Me To The Moon We swear we saw this Married By Powers (Seoul) WERE IT AS IF Eminent Domain Hurry Up Please, It's Time Married by Powers (with Frac Nord-Pas de Calais) Lobby / Office Piece Insert Love and Happiness Absolut Stockholm Catching Some Air Capsule Hotels for Information, Dreams, Brilliant Thoughts and ... N.T. You are here, art is not Sleep With Me A half mile of string What is this world? Far too many stories to fit into so small a box Take Part How does a straight line feel? (GwangJu) How does a straight line feel? Stick It On! Elements of composition [As above, so below] Accumulate, collect, show are you really sure that a floor can't also be a ceiling? Learning From Vancouver It isn't what it used to be and will never be again Unititled (Gold) 1440 minutes towards the development of a site I've Got Something in My Eye Ideas Sunset Cinema Birds Must Be Eliminated The Bookshop Piece The Shower Piece The Kitchen Piece
collaboration
The City & The City Take Part The Kitchen Piece The Bookshop Piece The Shower Piece Rest Nomads & Residents The poem that jumps the fence School of Walking: Vienna School of Walking: Casablanca Now What? Parade or Dazibao? How does a straight line feel? (GwangJu) Jogo kali Speechless Eminent Domain Turning a Blind Eye Etwas Rotes What if the moon were just a jump away? Not all those who wander are lost Stick It On! Between a rock and a hard place Elements of composition [As above, so below] Too late, too little, (and how) to fail gracefully Clearing Procedure point d'ironie are you really sure that a floor can't also be a ceiling? Speculation Learning From Vancouver It isn't what it used to be and will never be again Public Sculpture [sous les pavés, la plage] Public Arena 1440 minutes towards the development of a site A garden for Lindestede Art is either plagiarism or revolution, or: something is definitely going to happen here Istanbul, 59 Locations: A Format For Nightcomers Sunset Cinema Teach Me Something Past Imperfect Teasing Minds KA Nomads in Residence / No. 19 Lobby / Office Piece Insert Married by Powers (with Frac Nord-Pas de Calais) Accumulate, collect, show Mosaic
performativity
Far too many stories to fit into so small a box Letters to the Land Etwas Rotes To Gather on a Mountain Fly Me To The Moon The poem that jumps the fence A half mile of string Married By Powers (Seoul) What if the moon were just a jump away? Not all those who wander are lost Married by Powers (with Frac Nord-Pas de Calais) Sleep With Me point d'ironie Take Part Anatomy of a scene Speechless Turning a Blind Eye Between a rock and a hard place Elements of composition [As above, so below] Accumulate, collect, show Too late, too little, (and how) to fail gracefully Clearing Procedure are you really sure that a floor can't also be a ceiling? Speculation Learning From Vancouver Public Sculpture [sous les pavés, la plage] Public Arena 1440 minutes towards the development of a site What colour would a chameleon take when placed on a mirror? Close Encounters Istanbul, 59 Locations: A Format For Nightcomers Ideas Laughing Gas Teach Me Something Skinner*s Box Life, once more, continues to be free and easy 52% happy City Oasis Love and Happiness The Bookshop Piece The Shower Piece Rest The Kitchen Piece Kiev, 18-3-2006











